{"id":47593,"date":"2015-09-17T13:29:41","date_gmt":"2015-09-17T11:29:41","guid":{"rendered":"https:\/\/www.comprarmejor.es\/producto\/picasso-full-suite-vollard-1992-edition\/"},"modified":"2021-06-08T12:59:29","modified_gmt":"2021-06-08T10:59:29","slug":"picasso-full-suite-vollard-1992-edition","status":"publish","type":"product","link":"https:\/\/www.comprarmejor.es\/en\/product\/picasso-full-suite-vollard-1992-edition\/","title":{"rendered":"Picasso: Full Suite Vollard, 1992 edition"},"content":{"rendered":"<p style=\"text-align: justify;\"><span id=\"result_box\" lang=\"en\" xml:lang=\"en\"><span title=\"\u00danica colecci\u00f3n completa que tenemos disponible de la 3\u00aa edici\u00f3n de la Suite Vollard, de Pablo Ruiz Picasso.\">Only complete collection we have available in the 3rd edition of the Vollard Suite by Pablo Ruiz Picasso<span lang=\"en\" xml:lang=\"en\"><span title=\"\u00danica colecci\u00f3n completa que tenemos disponible de la 3\u00aa edici\u00f3n de la Suite Vollard, de Pablo Ruiz Picasso.\">. <\/span><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\">An ideal example to decorate a hotel with the exclusivity of a world-renowned art edition and one of the most important artistic works of the 20th century.<\/span><\/span><\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Por encargo del marchante de arte y editor Ambroise Vollard, Pablo Picasso realiz\u00f3 cien cobres grabados entre el 13 de septiembre de 1930 y marzo de 1937 (algunas de las planchas presentan el d\u00eda, mes y a\u00f1o de su realizaci\u00f3n, por lo que permiten una especie\">Commissioned by the art dealer and publisher Ambroise Vollard, Picasso hundred etchings made between 13 September 1930 and March 1937 brass (some of the plates have the day, month and year of their implementation, thus allowing a kind <\/span><span title=\"de &quot;orden cronol\u00f3gico&quot;) que pasaron a la historia del arte bajo el nombre de &quot;Suite Vollard&quot;, obra gr\u00e1fica mundialmente conocida.\">of &#8220;chronological order&#8221;) that became art history under the name of &#8220;Suite Vollard&#8221; world famous graphic work.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"El conjunto de las 100 estampas que en 1939 apareci\u00f3 en dos formatos distintos, uno grande (50x38,5 cm) con 50 ejemplares por plancha y otro m\u00e1s peque\u00f1o (44,5x34 cm) en tirada de 250 ejemplares, se encuentra hoy disperso como l\u00e1minas\">T<\/span><span title=\"La &quot;Suite Vollard&quot; constituye, por tanto, uno de los testimonios hist\u00f3ricos-art\u00edsticos m\u00e1s importantes del siglo XX.\"><span lang=\"en\" xml:lang=\"en\"><span title=\"El conjunto de las 100 estampas que en 1939 apareci\u00f3 en dos formatos distintos, uno grande (50x38,5 cm) con 50 ejemplares por plancha y otro m\u00e1s peque\u00f1o (44,5x34 cm) en tirada de 250 ejemplares, se encuentra hoy disperso como l\u00e1minas\">he set of 100 prints that in 1939 appeared in two different formats, one large (50&#215;38.5 cm) with 50 copies per sheet and a smaller one (44.5&#215;34 cm) in a print run of 250 copies, is today dispersed as sheets <\/span><span title=\"sueltas en diferentes colecciones privadas o p\u00fablicas y s\u00f3lo muy pocos de estos conjuntos se conservan unidos.\">Loose in different private or public collections and only very few of these collections remain united. <\/span><span title=\"La complicada historia del origen de la obra, su variedad tem\u00e1tica y su diversidad tem\u00e1tica, en la que se re\u00fanen los estilos de elaboraci\u00f3n m\u00e1s variados: buril, aguafuerte, aguatinta, aguada y punta seca, e incluso en algunas ocasiones parecen combinarse, animaron a\">The complicated history of the origin of the work, its thematic variety and its thematic diversity, which combines the most varied styles of elaboration: burin, etching, aquatint, watercolor and dry point, and even sometimes appear to be combined, <\/span><span title=\"su dispersi\u00f3n y que sean escasas las colecciones completas existentes actualmente.\">Its dispersion and that the existing collections are scarce. <\/span><span title=\"La &quot;Suite Vollard&quot; constituye, por tanto, una de las evidencias hist\u00f3ricos-art\u00edsticas m\u00e1s importantes del siglo XX.\">The &#8220;Vollard Suite&#8221; is, therefore, one of the most important historical-artistic evidences of the twentieth century<\/span><\/span>.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"La obra se divide en varios temas: Violaci\u00f3n (5 planchas), El minotauro (15), Rembrandt (4), varios temas libres (27), Retratos de Vollard (3), y El taller del escultor (46), donde uno\">The work is divided into several topics: Violation (5 plates), The Minotaur (15), Rembrandt (4), various free themes (27), Pictures of Vollard (3), and The Sculptor&#8217;s Studio (46), wherein one <\/span><span title=\"de los primeros amores conocidos de Pablo Picasso, Merie-Th\u00e9r\u00e8se, aparece repetidamente.\">of the first known love of Pablo Picasso, Merie-Th\u00e9r\u00e8se appears repeatedly. <\/span><span title=\"Los grabados no siguen ninguna secuencia l\u00f3gica en sus im\u00e1genes, su cronolog\u00eda temporal obedec\u00eda m\u00e1s bien a los acontecimientos externos y personales del artista.\">Recorded do not follow any logical sequence in their images, their temporal chronology obeyed rather external and personal events of the artist.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"La Suite Vollard abarca un total de cien grabados donde precisamente Picasso regenera todas sus influencias, sus delirios de grandeza, su irreprochable cultura mediterr\u00e1nea, su visi\u00f3n del bien y el mal en el minotauro desilusionado y sediento de carne humana.\">The Vollard Suite covers a total of one hundred engravings where Picasso precisely regenerates all his influences, his delusions of grandeur, his irreproachable Mediterranean culture, their view of good and evil in the minotaur disappointed and hungry for human flesh. <\/span><span title=\"El artista acierta en sus contradicciones al sobrevivir con cierta holgura en la \u00e9poca cr\u00edtica de los llamados manifiestos pseudo-pict\u00f3ricos.\">The artist succeeds in its contradictions to survive with some slack in the critical time of the pseudo-pictorial manifestos called. <\/span><span title=\"&quot;El taller del artista&quot;, tema que abarca casi la mitad de la Suite Vollard y tantas veces repetido por Picasso, -posteriormente en las series 347 de 1968 o en la serie 156 de 1971- advierte, por fin, el abandono de la influencia\">&#8220;The workshop of the artist&#8221; theme that covers almost half of the Vollard Suite and so often repeated by Picasso, -later on 1968 347 series or 156 series of 1971 warns, finally abandoning the influence <\/span><span title=\"colorista de Lautrec, que m\u00e1s tarde ser\u00e1 rescatada, y recupera el inter\u00e9s por el dibujo en un intento sofocado de reconstruir el renacimiento que hab\u00eda intentado ironizar Max Ernt con su &quot;Piedad Urbana&quot; con anterioridad.\">colorist Lautrec, who later will be redeemed, and retrieves the interest in drawing in a stifled attempt to reconstruct the Renaissance had tried to satirize Max Ernt with its &#8220;Piedad Urbana&#8221; above.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Para permitir una mayor accesibilidad a esta singular obra de una de las personalidades art\u00edsticas m\u00e1s importantes de este siglo, el Museo alem\u00e1n M\u00fclheim an der Ruhr, con la autorizaci\u00f3n de la familia Picasso, realiz\u00f3 en 1992 una reedici\u00f3n limitada a s\u00f3lo 300 colecciones.\">To allow greater accessibility to this singular work of one of the most important artistic personalities of this century, the German Museum M\u00fclheim an der Ruhr, with the authorization of the Picasso family, made a limited reissue in 1992 only 300 collections. <\/span><span title=\"La numeraci\u00f3n de los ejemplares se hizo del 1 al 300 en la hoja de introducci\u00f3n y justificaci\u00f3n de la tirada en alem\u00e1n, y en cada uno de los grabados, quienes tambi\u00e9n llevan el n\u00famero del Cat\u00e1logo Bloch impreso al verso.\">The numbering of the copies was from 1 to 300 in the sheet introduction and justification chuck in German, and in each of the engravings, which also carry the Bloch catalog number printed on the verso. <\/span><span title=\"El papel se elabor\u00f3 con el anagrama troquelado del Museo, tama\u00f1o 45 x 33 cms.\">The paper was developed with the anagram punching Museum, size 45 x 33 cms.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"No se trata, por tanto, de una colecci\u00f3n firmada originalmente por Picasso, ya que se reedit\u00f3 cuando \u00e9ste ya hab\u00eda fallecido.\">It is not, therefore, a collection originally signed by Picasso, as it was reissued when he was already dead. <\/span><span title=\"Es una edici\u00f3n facs\u00edmile de la que considerada como la 3\u00aa edici\u00f3n de la Suite Vollard, en la que se reproducen en cada una de las 100 estampas la firma original de cada grabado de Picasso.\">It is a facsimile edition which considered the 3rd edition of the Vollard Suite, which are reproduced in each 100 prints the original signature of each engraving Picasso.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"El siguiente texto corresponde a la traducci\u00f3n del certificado alem\u00e1n que se incorpora al estuche con la colecci\u00f3n completa de la Suite Vollard:\">The following corresponds to the translation of the German certificate which joined the case with the complete collection of the Vollard Suite:<\/span><\/p>\n<p style=\"text-align: justify;\"><em><span title=\"Entre 1930 y 1937, por encargo del marchante de arte Ambroise Vollard, se originaron cien l\u00e1minas reprogr\u00e1ficas de Pablo Picasso que pasaron a la historia del arte bajo el nombre &quot;Suite Vollard&quot;.\">B<\/span><span title=\"de reproducci\u00f3n como grabado al aguafuerte, agua en fr\u00edo, aguatinta, etc., han favorecido esta dispersi\u00f3n de l\u00e1minas, el conjunto es uno de los testimonios hist\u00f3ricos-art\u00edsticos mas importantes del siglo XX.\"><span lang=\"en\" xml:lang=\"en\"><span title=\"Entre 1930 y 1937, por encargo del marchante de arte Ambroise Vollard, se originaron cien l\u00e1minas reprogr\u00e1ficas de Pablo Picasso que pasaron a la historia del arte bajo el nombre &quot;Suite Vollard&quot;.\">etween 1930 and 1937, on the orders of the art dealer Ambroise Vollard, a hundred reprographical prints of Pablo Picasso were created and passed on to the history of art under the name &#8220;Suite Vollard&#8221;. <\/span><span title=\"En 1939 apareci\u00f3 la &quot;Suite Vollard&quot; en dos formatos distintos, la versi\u00f3n grande (50 x 38,5 cm) con un volumen de tirada de 50 copias por l\u00e1mina y la versi\u00f3n peque\u00f1a (44,5 x 34 cm) en una tirada de\">In 1939 the &#8220;Vollard Suite&#8221; appeared in two different formats, the large version (50 x 38.5 cm) with a print volume of 50 copies per sheet and the small version (44.5 x 34 cm) in a print run <\/span><span title=\"250 ejemplares.\">250 copies. <\/span><span title=\"Tan solo pocas de estas series se han conservado unidas hasta el d\u00eda de hoy, encontr\u00e1ndose la mayor\u00eda dispersas como l\u00e1minas sueltas en diferentes colecciones privadas o p\u00fablicas.\">Only a few of these series have been preserved together until today, most of them being scattered as loose sheets in different private or public collections. <\/span><span title=\"Pese a que la dilatada historia de nacimiento de la &quot;Suite Vollard&quot;, que se extendi\u00f3 a lo largo de varios a\u00f1os, y que pese a que su constituci\u00f3n tem\u00e1ticamente rica en facetas y diversidad t\u00e9cnica, la cual re\u00fane en s\u00ed misma las m\u00e1s variadas t\u00e9cnicas\">Despite the long history of the &#8220;Vollard Suite&#8221;, which spread over several years, and despite the fact that its constitution is thematically rich in facets and technical diversity, which brings together the most varied techniques <\/span><span title=\"de reproducci\u00f3n como grabado al aguafuerte, agua en fr\u00edo, aguatinta, etc., han favorecido esta dispersi\u00f3n de l\u00e1minas, el conjunto es una de las evidencias hist\u00f3ricos-art\u00edsticas m\u00e1s importantes del siglo XX.\">Reproduction as etching, cold water, aquatint, etc., have favored this dispersion of sheets, the whole is one of the most important historical-artistic evidence of the twentieth century<\/span><\/span>.<\/span><\/em><\/p>\n<p style=\"text-align: justify;\"><span title=\"En grupos de contenido m\u00e1s relajado, como por ejemplo &quot;Escultor y modelo&quot;, la &quot;Serie Minotauro&quot; o las &quot;L\u00e1minas Rembrandt&quot;, aparece el espectro rico en facetas de los diferentes temas que tuvieron relevancia para la creaci\u00f3n art\u00edstica de Pablo Picasso durante estos\">In groups of more relaxed content, such as &#8220;Sculptor and model,&#8221; the rich spectrum &#8220;Series Minotauro&#8221; or &#8220;Rembrandt Prints&#8221; appears in the different facets of issues that were relevant to the artistic creation of Pablo Picasso during these <\/span><span title=\"a\u00f1os.\">years. <\/span><span title=\"Con frecuencia, debido a incidencias externas, por ejemplo al dise\u00f1o de la portada de la nueva revista &quot;Minotaure&quot;, las l\u00e1minas, al igual que su agrupaci\u00f3n formando una serie por parte del durante muchos a\u00f1os gestor art\u00edstico y editor de Picasso, Ambroise Vollard,\">Often, due to external events, such as the design of the cover of the new magazine &#8220;Minotaure&#8221;, the sheets, like his group in a series by the many years artistic manager and editor of Picasso, Ambroise Vollard, <\/span><span title=\"son m\u00e1s bien casuales y no siguen una l\u00f3gica estricta de secuencia de cuadros u original de texto.\">they are more casual and do not follow a strict logical sequence of pictures or original text. <\/span><span title=\"Sin embargo, precisamente por este motivo, esta serie, como ninguna otra obra reprogr\u00e1fica de Pablo Picasso, permite obtener una visi\u00f3n de la estratificaci\u00f3n de su fantas\u00eda con los materiales y formas, de su saber artesanal, de su desenfrenado esp\u00edritu de experimentaci\u00f3n y de la\">However, precisely for this reason, this series, like no other reprographic work of Pablo Picasso, can get a glimpse of the stratification of his imagination with the materials and forms of its traditional knowledge, unbridled spirit of experimentation and <\/span><span title=\"l\u00f3gica interior de su creaci\u00f3n art\u00edstica.\">inner logic of his artistic creation. <\/span><span title=\"Pese a la espontaneidad y discontinuidad con que se han originado estas l\u00e1minas, con frecuencia de manera volc\u00e1nica en impulsos creativos, en los cuales por ejemplo se terminaron once de las l\u00e1minas ya existentes en tan s\u00f3lo cuatro d\u00edas, esta serie respira aquel esp\u00edritu de libertad,\">Although spontaneity and discontinuity that have originated these sheets, often volcanic how creative impulses, in which for example eleven existing blades were completed in just four days, this series breathes that spirit of freedom, <\/span><span title=\"generosidad y desenfreno que constituyen el prerrequisito de toda metamorfosis creativa.\">generosity and debauchery that are the prerequisite of all creative metamorphosis. <\/span><span title=\"Con sutilidad y refinamiento, soberan\u00eda y virtuosismo se convierten motivos banales, experiencias privadas, reflexiones \u00edntimas, confrontaciones art\u00edsticas, que adquieren repentinamente actualidad sin avisar como en un diario de notas, vuelven a sumergirse, para volver a aparecer despu\u00e9s de meses o a\u00f1os, en\">With subtlety and refinement, sovereignty and virtuosity trivial reasons, private experiences, intimate reflections, artistic confrontations, now suddenly acquiring unannounced and diary entries, become immersed again, to appear after months or years back, in <\/span><span title=\"motivos y temas que se encuentran dentro de un contexto \u00edntimo y que est\u00e1n entretejidos, aun cuando estas conexiones de base y de trasfondo escapen, a trav\u00e9s del espacio y del tiempo, a las construcciones de una l\u00f3gica exterior.\">motifs and themes found in an intimate context and that are interwoven, even if these database connections and background escape, through space and time, to the construction of an external logic.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Para permitir al p\u00fablico en general acceder a esta singular obra reprogr\u00e1fica de Pablo Picasso en su conjunto y tambi\u00e9n al m\u00e1ximo nivel cualitativo, el C\u00edrculo Promocional del Museo Municipal de M\u00fclheim an der Ruhr ha impulsado y respaldado de manera competente la nueva edici\u00f3n de la &quot;Suite\">To allow the general public access to this unique reprographic work of Pablo Picasso as a whole and also the most qualitative level, the Promotional Circle Municipal Museum of M\u00fclheim an der Ruhr has promoted and competently supported the new edition of the &#8220;Suite <\/span><span title=\"Vollard&quot;.\">Vollard &#8220;.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"La reimpresi\u00f3n de la &quot;Suite Vollard&quot; est\u00e1 limitada a 300 ejemplares, cada uno con 100 l\u00e1minas sueltas en una cajita de lino.\">The reprint of the &#8220;Suite Vollard&#8221; is limited to 300 copies, each with 100 loose sheets in a linen box. <\/span><span title=\"La numeraci\u00f3n de los ejemplares se realiz\u00f3 del 1 hasta el 300 en la hoja de introducci\u00f3n.\">The numbering of the copies was held from 1 to 300 in the sheet insertion. <\/span><span title=\"Las reproducciones se realizaron en el modo Grain Screen, una t\u00e9cnica en la cual desaparece la habitual trama de l\u00edneas y se alcanza la m\u00e1xima fidelidad al original.\">The reproductions were made in the Grain Screen mode, a technique in which disappears the usual pattern of lines and maximum fidelity to the original is reached. <\/span><span title=\"El papel se elabor\u00f3 a mano espec\u00edficamente para esta obra en Richard de Bas en Ambert, Francia, uno de los molinos de papel con mayor tradici\u00f3n de Europa.\">The paper was developed specifically for this work hand in Richard de Bas in Ambert, France, one of the largest paper mills with tradition in Europe. <\/span><span title=\"El papel de la edici\u00f3n original procede tambi\u00e9n de esta manufactura.\">The role of the original edition also comes from this manufacturing. <\/span><span title=\"Se eligi\u00f3 la calidad Blanc narcisse, velin, 200 g\/m2, y fue importado por Japico Drissler Feinpapiere, Francfort.\">Blanc narcisse quality, vellum, 200 g \/ m2 was chosen, and was imported by Japico Drissler Feinpapiere, Frankfurt. <\/span><span title=\"La reproducci\u00f3n y el formato del papel se redujo ligeramente respecto a la edici\u00f3n original.\"><em>Playback and format of the paper fell slightly from the original edition.<\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Gastos de env\u00edo por cuenta del comprador, seg\u00fan pedido y destino.\">Shipping by the buyer, upon request and destination.\u00a0<\/span><span title=\"Cons\u00faltenos cualquier duda.\"><a class=\"btn btn-default\" href=\"https:\/\/www.comprarmejor.es\/en\/contact\">Ask us<\/a> <span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"3\">without obligation (indicating the reference of the article) any questions.<\/span><\/span><br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p style=\"text-align: justify;\"><span id=\"result_box\" lang=\"en\" xml:lang=\"en\"><span title=\"Por encargo del marchante de arte y editor Ambroise Vollard, Pablo Picasso realiz\u00f3 cien cobres grabados entre el 13 de septiembre de 1930 y marzo de 1937 (algunas de las planchas presentan el d\u00eda, mes y a\u00f1o de su realizaci\u00f3n, por lo que permiten una especie\">Commissioned by the art dealer and publisher Ambroise Vollard, Picasso hundred etchings made between 13 September 1930 and March 1937 brass <\/span><span title=\"de &quot;orden cronol\u00f3gico&quot;) que pasaron a la historia del arte bajo el nombre de &quot;Suite Vollard&quot;, obra gr\u00e1fica mundialmente conocida.\">that became art history under the name of &#8220;Suite Vollard&#8221;<br \/>\n<\/span><\/span><\/p>\n","protected":false},"featured_media":47569,"template":"","meta":[],"product_brand":[],"product_cat":[2266],"product_tag":[5791,5130,4710,4711],"class_list":{"0":"post-47593","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-engravings","7":"product_tag-arte-en","8":"product_tag-engravings-en","9":"product_tag-picasso-en","10":"product_tag-vollard-en","11":"product_shipping_class-from-11-to-15-kg","12":"description-off","14":"first","15":"instock","16":"sale","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pablo R. Picasso: Full Suite Vollard, edition of 1992<\/title>\n<meta name=\"description\" content=\"On behalf of Ambroise Vollard, Picasso hundred copper engravings made between 1930 and 1937 went down in history of art as Vollard Suite.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.comprarmejor.es\/en\/product\/picasso-full-suite-vollard-1992-edition\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pablo R. 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