{"id":49901,"date":"2015-12-11T17:22:17","date_gmt":"2015-12-11T16:22:17","guid":{"rendered":"https:\/\/www.comprarmejor.es\/producto\/christian-bozon-el-galeon-1997-original-print\/"},"modified":"2019-08-29T10:18:44","modified_gmt":"2019-08-29T08:18:44","slug":"christian-bozon-el-galeon-1997-original-print","status":"publish","type":"product","link":"https:\/\/www.comprarmejor.es\/en\/product\/christian-bozon-el-galeon-1997-original-print\/","title":{"rendered":"Christian Bozon, El Galeon, 1997 original print"},"content":{"rendered":"<p style=\"text-align:justify;\"><span id=\"result_box\" lang=\"en\" xml:lang=\"en\"><span title=\"Grabado a color, aguatinta, firmado y numerado al l\u00e1piz por el autor.\">Color etching, aquatint, signed and numbered in pencil by the author. <\/span><span title=\"Grabado n\u00famero 15 de una serie limitada de 30 ejemplares.\">Number 15 recorded a limited series of 30 copies. <\/span><span title=\"T\u00edtulo \u201cEl Gale\u00f3n\u201d, a\u00f1o 1997. Etapa malague\u00f1a.\">Title &#8220;The Galleon&#8221; 1997. Malaga Stage. <\/span><span title=\"Obra original.\">Original work.<\/p>\n<p><\/span><span title=\"Medidas de todo el papel: 50 x 66 cms., y de la plancha: 35 x 45,5 cms.\">All paper measures 50 x 66 cms, and iron. 35 x 45.5 cms.<\/p>\n<p><\/span><span title=\"Christian Bozon es licenciado en Artes por la Escuela de Bellas Artes de Besan\u00e7on, en la que aprendi\u00f3 a grabar con los reputados maestros George Oudot y Jean Scanreight.\">Bozon Christian holds a degree in Arts from the School of Fine Arts of Besancon, where he learned to record with renowned teachers and Jean George Oudot Scanreight. <\/span><span title=\"Su primer grabado de aprendizaje es de 1987. Desde junio de 1993 a septiembre de 1994 trabaj\u00f3 en el taller del Centro Cultural Franc\u00e9s en Tetu\u00e1n, Marruecos, haciendo realidad su sue\u00f1o infantil de vivir en el sur, de hablar espa\u00f1ol y de expresar el color de\">His first recorded learning is 1987. Since June 1993 to September 1994 worked in the workshop of the French Cultural Centre in Tetuan, Morocco, fulfilling his childhood dream of living in the south, to speak Spanish and to express color <\/span><span title=\"las tierras c\u00e1lidas andaluzas y africanas.\">African Andalusian and warm lands. <\/span><span title=\"En Asilah, en un encuentro de artistas mediterr\u00e1neos, conoci\u00f3 a Francisco Aguilar y decidi\u00f3 ir a trabajar con \u00e9l a M\u00e1laga.\">Asilah, at a meeting of Mediterranean artists, Francisco Aguilar met and decided to work with him to Malaga. <\/span><span title=\"Desde 1995 colabora en el Taller Gravura.\">Since 1995 he collaborates in the Gravura Workshop.<\/p>\n<p><\/span><span title=\"Desde 1990 ha hecho repetidas exposiciones de sus pinturas en grandes lienzos o de sus estampas en Vallorbe (Suiza);\">Since 1990 he has made repeated exhibitions of his paintings on large canvases or his prints in Vallorbe (Switzerland); <\/span><span title=\"en las ciudades francesas de Besan\u00e7on, Lons le Saunier, Par\u00eds y Goux;\">in the French cities of Besan\u00e7on, Lons le Saunier, Paris and Goux; <\/span><span title=\"en las marroqu\u00edes de Tetu\u00e1n y Fez y en M\u00e1laga.\">in Moroccan Tetuan and Fez and Malaga. <\/span><span title=\"Ha participado en cert\u00e1menes gr\u00e1ficos de Francia, Marruecos, Suiza y Espa\u00f1a, en especial en Estampa, Madrid, desde 1995 hasta hoy.\">He has participated in graphics competitions of France, Morocco, Switzerland and Spain, especially in Estampa, Madrid, from 1995 to today. <\/span><span title=\"Sus grabados son vendidos o llevados a cert\u00e1menes en Espa\u00f1a, Francia, Luxemburgo, Holanda, Alemania y B\u00e9lgica.\">His prints are sold or taken to events in Spain, France, Luxembourg, the Netherlands, Germany and Belgium.<\/p>\n<p><\/span><span title=\"Es grabador completo, dedic\u00e1ndose a estampar sus producciones y otras del Taller.\">It is full recorder, dedicated to stamp their productions and other Workshop. <\/span><span title=\"Sus t\u00e9cnicas preferidas, que suele emplear en una misma obra, son aguatinta y barniz blando.\">His favorite techniques, often used in the same work, are aquatint and soft ground. <\/span><span title=\"No ha hecho aguafuerte ni le gusta por no convenir a su car\u00e1cter.\">He has not done etching and likes not suit his character. <\/span><span title=\"Emplea la punta seca o la manera negra en obras que lo requieren.\">Used drypoint or mezzotint works that require it. <\/span><span title=\"Es un artista colorista con una exquisita predisposici\u00f3n para el contraste de las gamas fr\u00edas y calientes o para las luces.\">It is a colorful artist with exquisite predisposition to the contrast of hot and cold or lighting ranges. <\/span><span title=\"Por la multiplicaci\u00f3n de hasta tres planchas por obra, su refinado colorido y su luz act\u00faan como elementos de composici\u00f3n.\">By multiplying by three plates work, his refined colorful and light act as compositional elements. <\/span><span title=\"La estampaci\u00f3n representa otro tanto o m\u00e1s de creatividad que la incisi\u00f3n de la matriz.\">The printing is as much or more of creativity that the incision of the matrix. <\/span><span title=\"Si \u00e9l no estampara, sus grabados no ser\u00edan lo que son.\">If he does not affix his prints would not be what they are. <\/span><span title=\"Es por ello que sus tiradas han sido siempre muy precisas y no han estado tan condicionadas por la demanda como por la po\u00e9tica que le define.\">That is why his runs have always been very precise and have not been so conditioned by the demand and poetic that defines him.<\/p>\n<p><\/span><span title=\"Christian Bozon es m\u00e1s un artista de luz y color que de l\u00ednea.\">Bozon Christian is an artist of light and color that line. <\/span><span title=\"Entiende aqu\u00e9llos como forma y, como se ha dicho, la iluminaci\u00f3n establece la composici\u00f3n por zonas.\">Means those like shape and, as noted, the composition provides illumination areas. <\/span><span title=\"Consigue una riqueza crom\u00e1tica que tiene el encanto orientalista de los cultos y refinados pintores africanistas de Francia: desde Delacroix e Ingres a Matisse, hay una l\u00ednea de exotismo imaginario que recorre el arte galo.\">Get chromatic richness that has the orientalist charm of cultured and refined Africanist painters of France: from Delacroix and Ingres to Matisse, there is an imaginary line that runs through the Gallic exotic art. <\/span><span title=\"En esta l\u00ednea est\u00e1 Christian Bozon, en la frontera de la abstracci\u00f3n, pero s\u00f3lo abstracta en la apariencia de zonas crom\u00e1ticas y luminosas, porque una mirada m\u00e1s atenta descubre formas naturalistas y ambientes de interiores inundados de placidez.\">In this line is Christian Bozon, on the border of abstraction, but only in the abstract appearance of color and bright areas, because a closer look finds naturalistic forms and indoor environments placid flooded. <\/span><span title=\"Se siente a gusto con el mito del sur, y tanto a \u00e9l como a la cr\u00edtica francesa no les cuesta mucho esfuerzo encontrar en \u00e9ste el t\u00f3pico, \u00ableur caract\u00e8re sauvage\u00bb, sea andaluz o marroqu\u00ed.\">He feels comfortable with the myth of the south, and both he and the French criticism does not cost them much effort to find in it the topic, &#8220;leur caract\u00e8re sauvage&#8221; is Andalusian and Moroccan. <\/span><span title=\"La curiosidad o la enso\u00f1aci\u00f3n po\u00e9tica hacen \u00fanicos y exclusivos valores rom\u00e1nticos.\">Curiosity or poetic reverie make them unique and exclusive romantic values. <\/span><span title=\"La cr\u00edtica espa\u00f1ola reconoce su destreza de oficio en el grabado y la ya comentada frescura de color: \u00abEl contenido de estas obras, cl\u00e1sico en un expresionismo sea mat\u00e9rico, sea tachista con los que resuelve temas al filo de la abstracci\u00f3n, es de una figuraci\u00f3n\">Spanish critics recognized his skill automatically on the recorded and the already mentioned fresh color, &#8220;The content of these works, classic in either mat\u00e9rico expressionism, is tachista with it solves issues on the edge of abstraction, it is a figuration <\/span><span title=\"sugerida, adivinada, en la l\u00ednea de importantes grabadores: el gesto de T\u00e0pies es una de las coordenadas y una preciosa lecci\u00f3n en la consecuci\u00f3n de los efectos y di\u00e1logos;\">Suggested, guessed, in line with major recorders: the gesture of T\u00e0pies is one of the coordinates and a beautiful lesson in achieving the effects and dialogues; <\/span><span title=\"la magia de Antoni Clav\u00e9 con su parte de personajes reyes o heraldos, son influencias que este artista soluciona dando una nueva lectura a lo visto...\u00bb\">Clav\u00e9 Antoni magic with its share of characters kings or heralds, are influences that solves this artist giving a new interpretation to that seen &#8230; &#8220;<\/p>\n<p><\/span><span title=\"Aunque no tenemos un conocimiento completo de la obra de Christian Bozon, por ignorar la realizada en Besan\u00e7on, vemos tres etapas en su evoluci\u00f3n desde su establecimiento en Tetu\u00e1n: la marroqu\u00ed, de cubismo ex\u00f3tico, de 1993 a 1995;\">Although we have a full understanding of the work of Christian Bozon, ignore the one held in Besan\u00e7on, we see three stages in its development since its establishment in Tetouan: Morocco, exotic cubism, from 1993 to 1995; <\/span><span title=\"la malague\u00f1a m\u00edtica influida por las cosmogon\u00edas de Aguilar, hasta 1999 y, por \u00faltimo, la actual desde 2000 a hoy, que es una remembranza francesa.\">Malaga influenced by mythical cosmogony of Aguilar until 1999 and finally, from 2000 to the present day, which is a French remembrance. <\/span><span title=\"Una de otra son muy diferentes las tres, pero las une el af\u00e1n por la conquista de la luz y porque su posici\u00f3n est\u00e9tica es francesa, aunque su prisma de visi\u00f3n se aclare con la cegadora iluminaci\u00f3n mediterr\u00e1nea: la sugerencia sure\u00f1a es s\u00f3lo catalizador para que Bozon\">One of the other three are very different, but unites the desire for conquest of light and because his aesthetic position is French, although his vision clears prism with the blinding Mediterranean light: the southern tip is just a catalyst for Bozon <\/span><span title=\"sea m\u00e1s franc\u00e9s.\">it more French. <\/span><span title=\"Su arte nunca ha captado ni interpretado las realidades marroqu\u00ed o espa\u00f1ola.\">His art has never grasped or interpreted realities Moroccan or Spanish. <\/span><span title=\"Nos consta que no comparte estas reflexiones.\">We know that does not share these reflections. <\/span><span title=\"La etapa malague\u00f1a de Bozon hasta 2000 es la m\u00e1s conocida y objeto de las cr\u00edticas anteriormente citadas.\">Malaga Bozon stage until 2000 is the best known and the subject of criticism mentioned above. <\/span><span title=\"Es de una figuraci\u00f3n mitol\u00f3gica de seres fant\u00e1sticos y m\u00e1gicos que, creemos, han sido elegidos tanto del imaginario del pintor como de los infinitos que emplea Francisco Aguilar.\">It is a mythological figuration of fantastic and magical beings that we believe have been chosen both the imagination of the painter as the infinite employs Francisco Aguilar. <\/span><span title=\"El modo dibuj\u00edstico, los temas y los t\u00edtulos lo confirman, La Frontera, El Gale\u00f3n, La Malagueta, Piratas, El circo, etc.\">Dibuj\u00edstico mode, subjects and titles confirmed, La Frontera, El Galeon, La Malagueta, Pirates, Circus, etc. <\/span><span title=\"Es un periodo de aclimataci\u00f3n a M\u00e1laga, que no tard\u00f3 mucho en encontrar, y de intensa experimentaci\u00f3n al lado de un grabador sabio y de larga experiencia como es Aguilar.\">It is a period of acclimatization to Malaga, which was not long in finding, and intense experimentation beside a wise engraver and long experience as Aguilar. <\/span><span title=\"Se caracteriza por una enorme libertad en el trazo y dise\u00f1o de las figuras, b\u00fasqueda de efectos con rayados, humor en los motivos, etc.\">It is characterized by a massive stroke and freedom in the design of the figures, striped effects finding humor in the grounds, etc.<\/p>\n<p><\/span><span title=\"Gastos de env\u00edo por cuenta del comprador, seg\u00fan pedido y destino.\">Shipping by the buyer, upon request and destination.\u00a0<\/span><span title=\"Cons\u00faltenos cualquier duda, as\u00ed como por el art\u00edculo que est\u00e9 buscando.\"><a class=\"btn btn-default\" href=\"http:\/\/comprarmejor.es\/en\/contact\">Consult<\/a> any doubt, and by the article you are looking for.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p style=\"text-align:justify;\"><span id=\"result_box\" lang=\"en\" xml:lang=\"en\"><span title=\"Grabado a color, aguatinta, firmado y numerado al l\u00e1piz por el autor.\">Color etching, aquatint, signed and numbered in pencil by the author. <\/span><span title=\"Grabado n\u00famero 15 de una serie limitada de 30 ejemplares.\">Number 15 recorded a limited series of 30 copies. <\/span><span title=\"T\u00edtulo \u201cEl Gale\u00f3n\u201d, a\u00f1o 1997. Etapa malague\u00f1a.\">Title &#8220;The Galleon&#8221; 1997. Malaga Stage. <\/span><span title=\"Obra original.\">Original work.<\/span><\/span><\/p>\n","protected":false},"featured_media":49897,"template":"","meta":[],"product_brand":[],"product_cat":[2266,5386],"product_tag":[4792],"class_list":{"0":"post-49901","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-engravings","7":"product_cat-home-decoration","8":"product_tag-bozon-en","9":"product_shipping_class-from-0-to-1-kg","10":"description-off","12":"first","13":"instock","14":"taxable","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Christian Bozon, El Galeon, 1997 original print<\/title>\n<meta name=\"description\" content=\"Color etching, aquatint, signed and numbered in pencil by the author. 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